ON DISPLAY

Project Type: Culinary School
Date: Spring 2023
Organization: SCI-Arc
Tools: Enscape, Rhinoceros

The thesis aims to explore the layers of display in architectural practice. For digital material, there are layers of different compositions of color, texture, and maps that work together to form the final material. Layering practice works in architecture to produce conditions of opaqueness and transparency. Structure frames connect these layers and create transitional spaces. The layering and the in-between experiment would be carried out to be the guiding system for the culinary school center.

In culinary school, there are some major programs: create, learn, research, cook, eat, live, and waste. The thesis looks at Le Corbusier’s museums as a starting point to explore how a ramp would serve as a sequence for the visitors to experience the whole food growing, processing, eating, and wasting process. The thesis aims to play with ramp and circulation and material layers of transparency to display the complete food cycle.

01. Precedent Studies

03. Circulation

The architectural ramp seamlessly guides individuals through the entire food processing journey, encompassing the stages of cultivation, distribution, educational research, culinary preparation, captivating displays, indulgent dining, and responsible waste management.

There are three major ramps. As one walk through the ramps, one will experience the whole food processing sequence from growth to depost.

02. Site Analysis

This thesis project examines three museums - the Infinity Museum, Strasbourg Museum, and Western Museum by Le Corbusier - that employ ramp logic. These architectural designs utilize ascending paths to offer visitors varied viewpoints and immersive experiences. These museums exemplify how ramp logic enhances the connection between visitors, artwork, and the surrounding environment.